David Holmes

Minimalist Orchestra at Home

Cory Doctorow talks about his views on copyright, copyright reform, media conglomerates, and the need for change.

What if the graphics on your mobile seemed to have real depth? Imagine tilting your mobile so you can look around corners and behind objects in the GUI to access additional information. Imagine layered GUIs where pop-up windows really pop up. With eye-tracking and the real 3D capabilities of TAT Cascades, this is now possible.

How to make a Mix Tape in 2008

In this http://www.artistshousemusic.org segment of a panel discussion on artist management presented at Loyola University, New Orleans in 2008, panelists Don van Cleave, Gary Gersh and Steve Rabolvsky assess whether downloading and social media hold the keys for the future success of the music industry, and discuss the real motives behind Apples espousal of iTunes. They also speak honestly about the music industrys current state of mind, and what the industry might be able to do to salvage the goodwill of their customers. Gersh also shares his experiences trying to break Radiohead while at Capitol, and the challenges he faced trying to persuade radio, retail and even his own label that the band was worth investing in.

Watch the full version here: http://www.youtube.com/watch?v=bx_LWm6_6tA The Short and Simple Story of the Credit Crisis. By Jonathan Jarvis. Crisisofcredit.com JonathanJarvis.com

Since completing his earlier major record label contract, musician Trent Reznor has been experimenting with a variety of new and unique business models for his band, Nine Inch Nails, to reach and connect with fans. This case study explores Reznor's experiments, examining what has worked and what has not - and why. Speaker: Michael Masnick (Editor/President & CEO, Techdirt Blog/Floor64)

Enjoyed this conversation with Seth Godin around tribes and why we all need one, how we should be the best in the world at what we do. Seth also answers why he is not on Twitter.

Frédéric Chopin-Prelude in E-Minor (op.28 no. 4) Played by: Aldona Dvarionaite Fryderyk Chopin (Polish: Fryderyk [Franciszek] Chopin, sometimes Szopen; French: Frédéric [François] Chopin;March 1, 1810 -- October 17, 1849) was a Polish virtuoso pianist and piano composer of the Romantic period. He is widely regarded as the greatest Polish composer, and one of the most influential composers for piano in the 19th century. Chopin was a genius of universal appeal. His music conquers the most diverse audiences. When the first notes of Chopin sound through the concert hall there is a happy sigh of recognition. All over the world men and women know his music. They love it. They are moved by it. Yet it is not "Romantic music" in the Byronic sense. It does not tell stories or paint pictures. It is expressive and personal, but still a pure art. Even in this abstract atomic age, where emotion is not fashionable, Chopin endures. His music is the universal language of human communication. When I play Chopin I know I speak directly to the hearts of people! Chopin's music for the piano combined a unique rhythmic sense (particularly his use of rubato), frequent use of chromaticism, and counterpoint. This mixture produces a particularly fragile sound in the melody and the harmony, which are nonetheless underpinned by solid and interesting harmonic techniques. He took the new salon genre of the nocturne, invented by Irish composer John Field, to a deeper level of sophistication. Three of his twenty-one nocturnes were only published after his death in 1849, contrary to his wishes.He also endowed popular dance forms, such as the Polish mazurka and the waltz, Viennese Waltz, with a greater range of melody and expression. Chopin was the first to write ballades and scherzi as individual pieces. Chopin also took the example of Bach's preludes and fugues, transforming the genre in his own preludes. Chopin was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father and came to be regarded as a child-prodigy pianist. In November 1830, at the age of twenty, Chopin went abroad. After the suppression of the Polish 1830--31 Uprising, he became one of the many expatriates of the Polish Great Emigration. In Paris he made a comfortable living as composer and piano teacher, while giving few public performances. A great Polish patriot, in France he used the French version of his given name and, to avoid having to rely on Imperial Russian documents, eventually became a French citizen.After some ill-fated romantic involvements with Polish ladies, from 1837 to 1847 he conducted a turbulent relationship with the French writer George Sand (Aurore Dudevant). Always in frail health, at 39 in Paris he succumbed to pulmonary tuberculosis. Chopin's extant compositions all include the piano, predominantly alone or as a solo instrument among others. Though his music is technically demanding, its style emphasizes nuance and expressive depth rather than technical virtuosity. Chopin invented new musical forms such as the ballade,and made major innovations to existing forms such as the piano sonata, waltz, nocturne, étude, impromptu, and prelude. His works are mainstays of Romanticism in 19th-century classical music. His mazurkas and polonaises remain the cornerstone of Polish national classical music. [from Wikipedia]

Copyright Criminals, a documentary about digital samplings head-on collision with copyright law, features many of hip-hop musics celebrated figures—including Public Enemy, De La Soul, the Beastie Boys, and Digital Underground—as well as emerging artists from record labels Definitive Jux, Rhymesayers, Ninja Tune, and more. The documentary also provides an in-depth look at artists who have been sampled, such as former James Brown drummer Clyde Stubblefield, as well as commentary by another highly sampled musician, funk legend George Clinton.